Blue Sky Giraffe [/medium]

Blue Sky Giraffe [/medium] Blue Sky Giraffe [/medium]

Blue Goose [/medium]

Blue Goose [/medium] Blue Goose [/medium]

Cormorant Colour [/medium]

Cormorant Colour [/medium] Cormorant Colour [/medium]

Tatty Fox [/medium]

Tatty Fox [/medium] Tatty Fox [/medium]

Well-Dressed Wolf [/medium]

Well-Dressed Wolf [/medium] Well-Dressed Wolf [/medium]

My printing techniques vary but once I’ve seen an image I like – normally an animal or bird (and I have always been attracted to expressions on faces) – I decide on the size of image and draw it roughly onto the lino. I don’t like to have my image too carefully drawn at this point as the print looses ‘life’ if it doesn’t have a certain degree of spontaneity. For me the cutting of the lino can become quite absorbing and it is sometimes difficult to know when to stop!

So, using sharp tools I carve the pieces of lino to create one or two plates which can be used to print different colours. If I’m using two plates the first plate will usually be the colour of the background whilst the second plate usually shows the darker outline image. The lino plate is then rolled with ink and printed using thick, damp ‘Somerset’ paper, which I roll through an etching press. This gives the print an embossed finish where the paper has been pressed into the lino.

When working on larger prints I tend to ‘etch’ the lino using stop-out and caustic soda which creates a more painterly image (e.g. ‘As the Crow Flies’). I also like to add other interest and uniqueness to my prints with ‘chine colle’ using old books, old maps, old banknotes in the printing process. More recently I have enjoyed applying watercolour and gold leaf to my prints.

Collett Mary

Profession: Printmaker